Aquamarine II by Michele D'Ermo, 2017, oil on linen, 30 x 40 in, $5200
Bay II by Philippe Cheng, 2019, c print on aluminum with ultra non-glare plexi front, 40 x 40 in, edition of 9, $9500
Diptych by Caroline Conrad, 2019, watercolor on paper, string, 12 x 28 in, $1900
Fragmented Blues by Christine Matthäi, 2017, photograph on plexiglass, 40 x 40 in, edition of 10, $7500
Napeague Shoals II, by Roisin Bateman, 2016, oil on canvas, 34 x 34 in, $3600
Pale Form on Blue with Red Lines by Diane Englander, 2014, mulberry paper, acrylic and pencil on canvas, 11 x 14 in, $650
Places 5, by Janice Stanton, 2016, archival digital print, priced according to size
Shades of Blue by Bastienne Schmidt, 2019, mixed media on paper, 16 x 20 in, $3000
Summer Blue by Dennis Leri, 2018, acrylic on layered wood, 23 x 18 in, $3000
Writ in Water, by Margaret Garrett, 2017, acrylic on Linen, 66 x 57 in, $14000
Aquamarine II by Michele D'Ermo, 2017, oil on linen, 30 x 40 in, $5200
Bay II by Philippe Cheng, 2019, c print on aluminum with ultra non-glare plexi front, 40 x 40 in, edition of 9, $9500
Diptych by Caroline Conrad, 2019, watercolor on paper, string, 12 x 28 in, $1900
Fragmented Blues by Christine Matthäi, 2017, photograph on plexiglass, 40 x 40 in, edition of 10, $7500
Napeague Shoals II, by Roisin Bateman, 2016, oil on canvas, 34 x 34 in, $3600
Pale Form on Blue with Red Lines by Diane Englander, 2014, mulberry paper, acrylic and pencil on canvas, 11 x 14 in, $650
Places 5, by Janice Stanton, 2016, archival digital print, priced according to size
Shades of Blue by Bastienne Schmidt, 2019, mixed media on paper, 16 x 20 in, $3000
Summer Blue by Dennis Leri, 2018, acrylic on layered wood, 23 x 18 in, $3000
Writ in Water, by Margaret Garrett, 2017, acrylic on Linen, 66 x 57 in, $14000
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